Keyboard Amplifier Basics - How to Use Amplification For Your Keyboard

Looking for amp? It is necessary if you are seriously considering making public appearances, or if you have landed some gigs.

Keyboard Amplifiers faithfully reproduces the sound of your keyboard and the frequency range is required to perform in public.

Keyboard instruments with cheap speakers that are good for learning or for use in a hobby, but more professional keyboards and digital pianos, amplifiers require a keyboard, if you want to see their true qualities.

If you just listen to the speakers on the keyboard all the time, then you may be surprised, even if you use your stereo to listen to your keyboard / digital piano output.

Despite his stereo in the home can improve the sound quality of your digital camera, keyboard, but has its limitations compared to a keyboard amp. It is portable and is suitable for personal use, but more important, is not intended to faithfully reproduce the full spectrum of sound from a keyboard instrument.

A keyboard amp is the only decent option if you plan to do as part of a concert. Keyboard Amplifiers is light, but you must choose the right model, depending on the size of your theater will be. If you want more power, choose one of a higher power.

Some amplifiers have built-in keyboard line-outs. So if you want your amplifier output through a mixer, you can easily do so.

Public performance is what everyone dreams of musician, and if you have decided to make the gift yourself a decent keyboard amp.

Fender Prosonic Amp Review

60W all tube combo with 2 x 10 Celestion speaker, switchable bias, which was designed by the legendary Bruce Zinky. Fender Prosonic Custom Shop was the company produces high-gain boutique amp features one would expect to find a Mesa / Boogie.

The style features MESA / Boogie found on the Prosonic is:

selectable channels

CSS to get a dual-channel control to guide

switchable rectifier / prejudices

Effects Send & Return

I first heard one of those 15 years ago when they first came out. He had never earned a decent sound system preamplifier integrated units, preferring to drive into the amp master volume not to use my old Ibanez Tube Screamer. But 15 years ago, I remember one of the best records of pre-amplifier, I had never heard of. I also remember they were quite expensive new (store price?) That in part explains why Fender stopped production after 6 years.

I finally managed to get hold of my Prosonic about 18 months ago.

Prosonic offers a switchable bias / rectifier settings:

Solid State Rectifier, Class A / B 60W - sounds like a traditional Fender tone mode clean, especially on clean channel. Very clean, bright and very strong.

tube rectifier, class A / B 50W - Mode 2 is slightly lighter and darker due to compression of the tube rectifier

the rectifier tube, 30W class A - Mode 3 is true Class A mode, and Super 30W sound natural hot early break, but still strong, a worthy Voc AC30. Maybe not exactly an AC30, but not the shame of all, and could spend much more money than the Class A Amp 30w Amp.

These structures can be connected using the head of a chicken to call, even if at the same site. Beware, though, is a 30-class hard tubes.

Great, great voice. Before I got my hands on this, on-line review of the Fender Prosonic one of the best ever made. Clean channel is the classic Fender clean sound, and even though I usually use a lot of running in my game, Prosonic seems to attract me to play hard and dirty, and fun - a bit 'like a fast bike ready to extend the cable. 2 x 10 Celestions give warmth and crunch out loud - perfect for a single-coil pickups have a small combo. This is an amp, hot and strong, up to 30W mode.

Disadvantages:

The reverb is noisy. It does not bother me, but for studio use, could be a problem. A known issue with them, and it is an easy against the

Channel produces a pop - again, a known problem with them, and it is easy to mod

The Prosonic is my current amp to do everything, and after nearly 15 years to get one is a keeper.

Kendrick 2210 Combo Amplifier

2210 Kendrick not only the best sound, best looking and best built style Fender amp I ran across it also summarizes two dominant trends in the music equipment: a desire for the lost quality attributed to anything "vintage" and appreciation for small production runs, homemade craft.

Kendrick is a "boutique" firm based in Pflugerville that the dream of building amplifiers from materials Primo ... and if the right parts are not available (such as output transformers and ultra-efficient black Framework Jenson style speakers), the only tool and Make'em itself. A glance tells you this is a nice AMP labor of love, the coverage of old tweed gives a golden glow, the light brown grill cloth fifties pure leather handles are reinforced with steel and hand-sewn Triple chrome on the control panel seems an inch thick. Inside the solid pine, go hand in hand-to-end housing, you will find hand-welded, coated wire cloth, a steel frame 16 gauge, sweet sound of the Sovtek tubes located in bushes ceramics. Treatment, of course, is excellent.

Instead of trying to meet the needs of each gutiarist while the 2210 is focused on achieving one thing: a classic of its era tweed. There are decorations and contemporary-tolerance resistors have values ​​lower than those originally used by Fender and therefore will last longer, there is a transient protection and transient suppression power to prolong the life of the pipe, and hum-circuit reducing some modern mods, but does not violate the Prime Directive.

Electronics based on the famous 40-watt, Western Electric / Fender '59 Bassman circuit and located in a Fender "Super" size, 2 × 10 cabinet open. The hose assembly that represents the exact balance of power and tone: twin 5881 tubes (military version of the 6L6 ') trio of 7025, the tube rectifier (GZ34), and a 12AY7, which is less useful, but draws more power compared to the 12AX7, which produces richer, "tube-y-er" sound.

Sharp-Eyed technoid have noticed something very un-bass amp, tube-like list: Extra 7025. Discreetly parked across the main amplifier is a mini-frame platform with the effects loop send and return, loop back to get / gain of the third stage of control and selector and slide the foot switch and preamplifier. By switching (or footswitch) to determine whether this cycle tube longer to return to the circuit, or more useful for the third phase of a mega-distortion.

From the speakers and output transformers determine half of all their amps. Kendrick has paid special attention to these points, too. As noted above, the recreation of the classic classic sounds often required for making replicas enhanced Kendrick Jensen P-10R Alnico 5 speaker model. As expected, these black beauties of his incredible, does not reproduce the sound of high and low effort mud.

But even great speakers and an amplifier circuit to produce a sound sucky, if coupled with an output transformer anemic. Again, Kendrick found existing components are unacceptable, they roll up their share at a time. In 2210, the transformer is the key to its impressive sound. In 2210 is fat, fat, fat ... a complete surprise when this little amp sound thin expect.

Another advantage of the transformer is connected only to two 8 ohm speakers instead of the traditional 2-ohm, 4 x 10 Bassman amplifier configuration and can operate the speakers twice as hard. The credit goes to the New Wave guitar god Tom Verlaine (Television), which first asked Kendrick to make it a 2 x 10, as it was back and forth between many recording sessions in New York and needed a taxi amplifier use. 2210 El Camino Kendrick has been tested and has exceeded all expectations.

How to Pick the Best Guitar Amp

The first thing I want to mention is that an amplifier that suits their needs, especially in terms of sounds that can be obtained from it must be an important factor to decide. The sound can have an amplifier may be the manufacturer of inspiration.

If you like the tone you can go from an amp, then you'll love to play guitar at its maximum. If you get a cheapy amp that can do what you want, then you may never want to play guitar again.

The first question is the key. Do you want a classic tone of your guitar amp or a more modern digital? This is particularly important if

you plan to do a lot to play with distortion. But even if you plan to play only with strict parameters own, you must also determine the type of ringtone you'll be able to get from an amplifier.

In my own personal experience, I realized that I can get the exact tone I want from any amplifier. This is because I have a mental amplifier that guides me when I'm adjusting the knobs of any amplifier. In other words, I have created over the years for the perfect setup for a guitar amp in my mind, and this is true of many guitar players.

A good place to start finding the right choice in AMP is the number of speakers and speaker size. If you want a practice amp with a speaker amplifier simple ten-inch will work, but I highly recommend going with an amplifier that has two twelve inch speakers. It is quite common, and it really does not need to cost you much. My reasoning is that if you want to spend money on a practice amp, so you might as well spend a few hundred to get a complete amp. You'll probably end up doing it somewhere on the road anyway.

Marshall MG250 Amp great to have two twelve inch speakers and 50 watts of power. Fifty watts does not seem like much, but this little amp can put out a reasonable number of votes, while at the same time maintaining the high diversity of settings, in particular the function of contour.

I have worked with many guitarists who have been very strict in the tube amplifier digital cameras, and I agree with them you can get a lot of tube amp. However, these guys have been using the battery whenever Mesa Boogie infamous and expensive means established. Unless you have a few thousand to fix or find a dealer that carries the Mesa Boogies, I do not have to go that far.

The truth is always the fact that you can get an excellent tone from an ordinary game and a standard guitar amplifier. The tone is really up to you and there are so accessorizing can be done with all the amps to get the desired sound.

I said this because if you're just buying a guitar amp for the first time, it is very important that you do not get out of bad experiences.

Deviates from the generic brands, or not so well-known amplifiers. I have no doubt that there is such thing as a Holy Grail of amps, but do not try to continue that kind of amp until I was a bit 'more experience under your belt.

My favorite amps have always been the boxes. I still miss the sound that could leave them, but are known to turn the two-year mark. I've had three and now they all went to the window at the same time.

If you are not too sanctimonious a more digitally processed, so we also recommend Line 6 amps. They have a good range of models and price range, and all amplifiers have excellent results that can accommodate Thurs clean or distorted. Currently, a Line 6 Spider III 75 amp 1x12 implementing only $ 300, and an amplifier fun to play.

My advice would be to stick to one of the leading names when it comes to amp makers. Fender, Marshall, Vox and Line 6 guitar amps all produce excellent

At the same time offering a wide range of budgets.

Conclusion

My final advice, which is the best you can offer would be the removal process. Go to any store and take the time to try different types of amplifiers. Play with the settings and make sure to experiment with the effects settings as well. Do not feel stupid for doing this, since it is common for a guitarist or bassist to walk and test the machine.

The purchase of an amplifier, especially the first one can be a big problem, and any employee of one or Shamash Guitar Center understands this well.

Take your time, and like to buy a guitar - not regulated.