The Pros and Cons of Guitar Tube Amps

Guitar tube amps are actually the most common choice of amplifiers among the guitarists. Surely they Upsides as well as their disadvantages. Overall, these amps have a good resonant sound and is usually able to produce without problems, when they are well cared for and understood.

Keep these amps in good condition is the first step that you are always satisfied with the performance of your amplifier and lasts long. Part of the development of a proper maintenance program is to learn what works and what does not. For example, many owners believe that tube amplifiers, if the blue glow of the tubes there are problems. This is not the case. While it may be an indication of a problem of development, the tubes are the colors of red distress. It is vital that you learn that there are certain things that are within the normal range with these amps before you start tearing your amplifier.

Choose a good polarity protection for you guitar amps is another problem that tends to show up fairly regularly. Polarity with elements you want to understand that your amplifier will literally fry its circuits if there is a sudden increase and that many amps surge really eats up battery life. There are some good guards on the market that are designed to control the electricity in one direction. This means that if flows in the opposite direction (or wrong) direction, you will find that your amplifier is turned off immediately. It works best when you try to save battery power and is useful in maintaining your amplifier.

When you start getting creative guitar tube amps things can get really interesting. You may be interested in reworking the threads of the circuit helps to reduce the amplifier. This can be useful if you're someone who travels a lot on your amp. This can also be an interesting project, which can ruin your amp, if you're not careful. Always make sure you have the correct information from each other the first amplifier. Otherwise, you can do more harm than good. Be sure to follow the instructions on the make and model of the amplifier correctly, not only to do.

Guitar amps can sound like a lot, long lasting, and bring you many great moments. Just maintain and verify your information before making changes.

The Guitar Amp Guide - Tube, Solid State, Hybrid and Modeling

For a student who just started learning the guitar, the understanding of the specifications of the guitar amp is sometimes an uphill battle. No need to be an expert to find a decent amplifier, but it helps to have a good knowledge of databases. For the beginner, this is a preamble as the basis for guitar amplifiers.

Tube Amplifiers

It is a type that uses vacuum tubes for the preamp and power sections. Tube amps are coveted for their unique tone, rich and often described as "fat" or "hot." The distortion associated with these amplifiers is richer harmony than their solid and generally accepted as superior. Most of the guitar amplifier, which is considered "classic" in the history of music is driven by tubes, including high-end Vox, Fender, Marshall and Mesa Boogie. Tube amps are more powerful than the solid-state amplifiers of the same effect. Most of them were built in separate channels, so the player can go from clean to distorted by use. Tube amps require valves to be replaced from time to time, as part of the maintenance process.

Semiconductor amplifiers

Solid-state amplifiers use transistors instead of tubes, and were initially seen as the logical successor to the tube. Indeed, it was thought they would eventually render them useless. While static models are now widely used in the guitar amp market is the upper end of the market is still dominated by machines powered by vacuum tubes. Solid State amp is very reliable and do not really need much maintenance. They often have a very clean tone, although many come with channels and distortion. These amplifiers are perfect for beginners or practical situations.

Hybrid Amplifiers

These started out as a specific move to combine the best of tube and solid state mechanisms in a single package. These amplifiers feature tube preamps, along with storage solid state power of their amplifiers. Marshall Valve State boosters such widespread use of this technology.

Modeling Amplifiers

These amplifiers are a relatively new permutation of digital technology to help "model" or copy the sound of traditional tube Sonics. The software used by the model units of the tube amp in a sound signal and can imitate the different sounds of some amplifiers, cabinets and effects - often a very effective. Some can even be adjusted to the way some dynamic and condenser microphones sound from the guitar amps to record in studio settings. Although many serious guitarists generally still collecting tube amps, modeling technology has captured a significant market share because it offers a wide range of sonic possibilities for an affordable price. Line 6 is one of the largest companies involved in the amp modeling, and Spider amps are an example of this technology.

The Big 3 When it Comes to a Bass Guitar Amp

If you have decided to take the bass guitar and electric bass have chosen to learn, you have to get an amp at some point.

While this may seem a relatively simple thing at first glance, the truth is not as simple as that. This can be a very difficult task because there are so many options when it comes to choosing a bass guitar amplifier.

Practice amp is ideal for beginners and novices, and are inexpensive, and uncomplicated.

However, if we stick to the bass guitar, which will not be long before overcoming its entry-level amplifier and then have to update.

Here are some things that will guide you through this next step.

When you put your bass guitar amplifier, you will here terms like combo amps, amp heads, bass cabinets. It is the traditional choice, and the truth is that the only differences between these terms has to do with size, rather than function.

An amplifier is the main control center for the treatment of low-amp. Not only features such as sound processing (equalizer function, gain, effects, etc), which also houses the power amplifier that connects to the box.

A combo works the same way. The only difference is that the head amp and speakers option is a package of two parts. A combo combines in one device.

If you decide to head amp / cabinet or a combo, you will find that the prices and characteristics of the amplifier and speaker sizes vary greatly.

There are no easy answers when it comes to who is the best. The real deciding factor is equivalent to the solution that best suits you.

Another option for a bass guitar amp is what is known as a modeling amp. With modern software, companies amps were able to digitally recreate the sound of many amps bass guitar in a single device.

Other features include multi-effects bass as well.

The characteristics of the amplifier and power options make these amplifiers models, it is possible for a bassist for more sounds of a device instead of having to lug around the mountains of gear that would be needed to achieve wealth sounds from a modeling amp can create.

These amp models can come in traditional and amp speaker setups units unless it can be run directly without the need for built-in speakers or external.

Another great feature is that not only are there tons of sounds at the time of modeling amplifiers, amplifiers are fully customizable, so you can create a sound that is the only one you own.

There are many possibilities with these three winning elections, too many to mention here, but the key is to find the bass-guitar-amp option works better and is more comfortable for you.

Take time to visit your music store and try out many options for you.

Once you've had a chance to watch and listen, then you will probably find a solution that not only is good for your ears, but just for your wallet too.

Guide to Buying a Bass Amplifier

If you are a beginner, low or have never owned a bass amp, you can start shopping at your local music store or music store online. But you really do not know which one is best for you. I would like to share some of the many things you should consider along the way to buy your first bass.

For experienced players of the bass guitar to buy a bass amp that can not be too hard a decision for you. You may have decided that you no longer need or that you can sell your existing amplifier and upgrade to something new. Owning your first or second amplifier learn a lot about what to do or not do with your amp, and what you want your current amplifier or not.

If you are like many young and emerging musicians, you can go to a show or watch live videos of bands you like and look at their products for bass players to play. See the logo on the front of the amplifier, and immediately think of the bass amp I want to play through it. What a magnificent voice he has.

But there are many things to consider before buying an amp like someone you see on stage during a concert. Did you know that many bands using amplifiers trip is for large scenes and applications high? If you use this amp in a small club type of concert it will not sound the same, and you can be evicted for being too loud!

And some of these amps are very expensive, which is fine if you or someone you know has the money to buy this amp. They are a serious investment and make it a full-time professional musicians. This does not mean you do not deserve one day.

Some of the best amplifiers on the market is not big of them heavy, but the smaller places, or training and for personal use at home. You do not need 1000 or 2000-watt bass amp to play a good bass! Another thing to consider is the convenience in the car? And as the weight of the amp?

Bass Guitar Combo tends to be heavier because they include integrated electronic amplifier in the cabinet that houses the speaker. The good thing about them is that you only have to move a piece of equipment. An easier way to achieve a low platform to buy a separate amp head cabinet so you can do each one separately and weigh much less, especially when you have to climb stairs to a concert. Check the weight before you buy to see if you can with your back.

There are more things to consider as well. Do you know what sound you want from below? Several brands offer a variety of audio amplifiers and tube amplifiers and solid state amplifiers. Low cabinets are 15 "speakers, speakers, 12", 10 "speakers and you can even get some of the 18" true low end.

The size of the box will also affect the sound of your amp. It's a good idea to take your bass to a local music store and play as many amps as it should have some idea of ​​the sound. Some stores even allow you to rent one for a night or two to try. If you do not have this policy, ask about buying an amplifier and try it for 30/60 days, in this case, you can replace it if you do not like not.

Bass to the Bone

Bass, bass guitar and bass what to buy - is a scary thought for beginners and musicians know ... But to acquire the knowledge, is not that difficult if you are:

1.interested,

2.passionate,

3.dedicated.

A good amount of these three will help make your learning experience an enjoyable self-challenge.

Before you even consider buying a bass, to learn the instrument. Finding your story - even the basics, its legends and approaches and styles. The quality of the bass guitars are not cheap so if that oozes wealth, worth an education. It will also help motivate them to learn the basics and fundamentals of playing bass. Understanding how the notes are played, and how they vary across different genres such as jazz, blues, rock, etc. different types may require different bass sounds.

Inspired, motivated and committed, you can now hit stores on guitar and bass you try out their guitars. It helps if you know what kind of sound you're after, and if that means to try all the bass guitars in the store - why not go ahead. It has to choose a bass that will work in many musical genres / styles that you plan to play. The more flexible the better. A bass guitar would be good to find a Squier Fender Jazz bass. Standard, easy-to-low that sound good, even after much abuse. Good to know for every beginner bass. Once you have made your choice, be sure to choose an amplifier as reliable, such as combo amps, if it does not go with the bass you are considering buying.

The workshop to your home and, finally, your arms, keeping the low success depends on you. The policies are symbolic and advice specifically for bass players, scaling. Exercise those fingers and run them through your bass. Do it regularly at the top of the sample of songs you already love to put you in good shape. If you decide to audition for a group, it helps to prepare. You can make a recording of a demo of your bass playing where live auditions are useless. Playing covers are OK, but original compositions are almost always sure-win. Develop your own style of the normal and the serious exploration.

A good thing to learn to play bass is that it requires more auditory sensation (compared with the intensity that attracted the attention of the guitar). In this sense, it can be a source of inspiration for you to let go and be brave and honest in their approach. Do not be afraid to innovate and challenge what is already done. Influences are there to help you explore. All were very low ever inspired a legend in the bass, but certainly have shown no copy-cats and composers.

Guitar Amp Tone History

Here is a brief history of the popular conception aims to reproduce the tone tube amp saturation. His was a remarkably saturated part of the sound of the guitar since the birth of guitar amp!

1950

Blues players and sometimes a little big band jazz players, pushed relatively low power valve amplifiers to their limits and beyond. Leo Fender designed the first commercially available amp valve high power in the 1950s, and legend says he was held in engineering until Dick Dale could not break it. Anyway, Dick Dale opened the way for a surfer style distorted.

The 1960

This time has heard the sound of the speakers broken accidentally, leading to experiments with intentionally reduced cones. Just something you can control, but effective nevertheless. Direct amplifiers still used by some electric blues and pop. Jeff Beck is one of the pioneers of the Fuzz Face, a saturated transistor used in previous rock and pop music in the early special effects.

1970

Several preamp stomp-box were produced to simulate the saturated colors of the tube amp, including the famous Tube Screamer Ibanez and many clones that continues to this day! We have also heard of hot rod amps Mesa Boogie valve with the tube preamp additional steps to give more control to the levels of saturation, the volume levels and EQ settings.

1980

Distortion (hard clipping) pedals were produced to support the styles of metal. Multi-effect racks and soil units were widespread, with the ability to switch between a wide range of overdrive sounds, in addition to other popular effects. In addition, several "experts" tailor-made amplifiers, generally produces a type of sound very well. The punk called the most unpleasant distortion sounds possible.

1990

The first taste of digital overdrive with the guitar signal passes through an analog-digital converter, then the software emulation overdrive model, including trim, or an amplifier tube, then a conversion from digital to analog. Some sounds are quite convincing, if used in imitation of the speaker cabinet models. Recovery of the preamplifier used fuzz grunge players, whose recovery overdrive brown tone of voice and a good fit for the blues and rock players.

2000 and later

The 2000's saw an explosion of numerical models as companies tried to secure their future by offering products that are increasingly popular for home recording, the living players and semi-pro musicians. The global financial crisis in late 2000 forced most companies to limit the development and focus on high volume low cost items. The most notable exception was a small company, Fractal Audio, which produced the Axe-FX is probably the first device to convince experienced professionals to the tone of the valve.

Here is another website with a brief history of the guitar amp. This article examines the evolution of pre-amps, in particular the details of the gain stages and how they have affected the overdrive sounds.

History Acoustic Bass

The first modern acoustic bass guitar was developed in the early 1960s by Ernie Ball of San Luis Obispo, California. The purpose of the ball was to provide bassists with a more acoustic-sounding instrument that would correspond better with the sound of acoustic guitars. Bal said that "... if there were electric guitars bass to go with electric guitars, then you should have acoustic basses to go with acoustic guitars. "Bal notes that" ... the closest thing to an acoustic bass was the guitarrón Mexican mariachi ... so I bought down in Tijuana, and tampered with it. "

Ball has worked with George Fullerton, a former employee of Fender, Earthwood acoustic bass guitar to develop, which was introduced in 1972. The production of this instrument was completed in 1974, to continue a few years later, led by Ernie Ball employee, Dan Norton, until production finally ended in 1985. Earthwood acoustic bass was big enough (and deep) Unlike most of the tools currently in production, which has more volume, especially in low register.photo 1photo companies 2photo 3 Ernie Ball describes the project that the ball, "an idea first time ", the instrument was little used in music sound until the end of 1980, when the bass sound used for performances in television program MTV Unplugged

Guitar Amplifier Buying Guide

Now that you have this brilliant new electric guitar, you need something to play through it, right? Shopping for a guitar amp can be fun and a headache at the same time as there are many things to consider. Here we will try to break some of the key decision points for you when you attend your shopping adventure guitar amp.

What about prices? Ok, so we'll start to sound like a broken record, if you read one of the other buyers guides, we have created here at MusicGearReview.com. Prices, however, is your most important decision because it limits the amount of equipment that you need to see through. Remember, we always recommend that you set a budget and not break it until it is time to buy. We believe it is important to buy the best piece of equipment that you can spend a few dollars for some extra features and quality you want to make sure you are satisfied with your purchase for years to come.

Should I choose a combo or head and Stack? Guitar amplifiers come in two main flavors today. A combo, or a combination of an amplifier and loudspeaker together, or a separate amp head and a fireplace. In fact, it is the size and volume associated with the typical environment or place you want to play in. combo guitar amplifier are generally very good for garage bands, or small gigs, but if you plan to play a large room or outdoor area will be frequently you want to go with a separate head unit and speaker arrangement - that will ultimately have more power and ability to project. Also for those of you who just loves to go on with your equipment, is a pile of something that could probably be fine for a small space as well - just keep the volume down most of the time.

What about tube amps, as opposed to solid state? In fact, solid-state amplifiers to produce a higher volume than pure tube amps, but in our opinion, may not be the warmth of a tube based guitar amp. It is interesting to note that many experienced guitar players prefer to play through tube amps for a more vintage. This is similar to vinyl debate between CD. While solid-state amplifiers are technologically superior, tube amps just a magic all their own, well, nothing like seeing your hot while you pound your favorite solo. Ultimately, the call yourself.

What about speakers? The speakers may have much to do with the course. Today, many manufacturers of traditional guitar amplifier make their own cone speakers for installation in cabinets or combos, but some of the premium brands are the keynote speakers, such as Celestion, in their amplifiers. Sometimes you can even find combos where the manufacturer has made some high profile speakers, which should be considered when evaluating all alternatives. Still, however, you can have cabinets built to the specifications of the speakers selected in the new range of options is mind numbing. The smaller speaker, the stronger the response to the registers through the tone is higher, so keep that in mind when shopping for cell sizes, which vary from 10 inches to 15 inches in general. Larger speakers are better suited for applications requiring very low.

What is all this nonsense modeling? Modeling is a way that the guitar amp manufacturers have developed to guitarists like you to experience the nuances of many different pieces of equipment, or even the effects unit, all at the same time in one or a guitar amp head and combos mobile equipment. Most amplifiers today have built in a certain type of modeling, and some even unlimited ability to mix and similar amps, cabs, effects, and more. If you're going, or already an advanced unit of guitar effects, however, we recommend you stay away from modeling amplifiers, and connected to a combo or head / unit of the stack, which is the best performance and sound. This way you can turn off the effects and modeling tools for the future, but at least you bought the best amp.

Nothing is more important than the pure and clean, with plenty of power, so if you have a few extra dollars to spend, spend that money for more power, or maybe even better speakers in your closet.

What about power? Most amps these days are class AB, which means that the power is activated in two stages. Some people claim that they are not so quick to react to changes in the signal, but in reality, most of this is beyond the reach of human perception in any case. Class AB amplifiers are more efficient with the distribution of electricity, which is the case, then there really is not much to see in this regard.

What about the different brands of guitar amp? As with any musical instrument, there are plenty of brands out there to choose from. Fender has always produced high quality amplifiers that use many of those who prefer a clean sound. Marshall, of course, has always led the group with the hard rock band. There are also some popular brands that offer excellent products at very competitive prices, such as boxes, Epiphone, and others. Serious metal heads might consider the series Mesa Boogie, because the murderer sustain and overdrive. If you buy for yourself, you probably have an idea of ​​what you want, but if you buy for someone else, try to understand the kind of music they listen to, or better yet, try to identify some players they like and do an investigation into the Google platform of these musicians. Many times you can find the brand and exact model of those guys who use the most will help you buy your loved one.

What if I just want a little something to start with? One category we have not discussed is the stage of practice. In general, practice amplifiers have a single small speaker, with a low power amplifier and maybe an effects loop. You can find a good practice amp for around $ 100, which should provide many years of use. As with anything, however, do not skimp too much on this point. Be careful with some practice amps are very cheap, they usually get what you pay for. Many manufacturers offer cheap practice amp to start, but we believe it's always good to go for quality at the end.

Ampeg History

1969 was the year the Giants shocked the country, and wanted a great amp. At that point in history, rock music was the most evil man the whole damn city. Stadiums and outdoor festival was the place where this happened, the love of God Madison Square Garden. Fifty watts was not enough to move, that chick in the 61 line of hand-embroidered bellbottoms. It was not as if no one has seen filling a void of Marshall stacks, the mountains and trucks Hiwatts Showmans twice more to promote the generation of tinnitus is one of the second world war.

Only in America

Ampeg needed to compete. Team Ampere designer Bill Hughes and Roger Cox with contributions from Bob and Dan Armstrong Rufkahr determined to create what Cox called "the biggest, meanest bass in the world had ever seen." Using the same kind of frenzy that led Dr. Frankenstein, the team found a 300 watt all-tube-Phantasmagoria they called Super Vacuum Tube or SVT, to save on voice. To understand the enormity of their creation, SVT 300-watt output trampled the deafening 200-watt Marshall Major with a full 100 watts!

Unveiled at the 1969 NAMM show in Chicago, weighed 95 pounds head and SVT with fourteen tubes, six of which were massive 6146 power tubes. In the heat of all these tubes, transformers with enormous magnetic fields powerful enough to cause genetic mutations were needed. What kind of speakers were able to handle all that power? Nothing less than two cabinets sporting eight to ten inches of speakers and a weight of 105 pounds. each.

After reviewing its beginnings, Cox was really worried about potential liability when their engineers are warning against the potential harm that could result from their design, you better listen. Ampeg management has designed and read a warning label that:

"This amplifier is able to provide sound pressure levels can cause permanent hearing damage."

His Satanic Majesty Shakedown Cruise

Some say we are doing good luck, but usually are people who have all the luck. Luck came to Ampeg, not really, but the lack of information about international tensions of the Rolling Stones. Fender amps seem Stones transported on the state to carry out their soon-to-be-legendary '69 World Tour, are connected, they light up, and the resulting smoke and burn the first time in Roadies think Keith had nodded off, until remember that the UK power amplifiers have been created.

The Stones may have been "the biggest band Rock n 'Roll In The World", but like all bands, they seemed to Gear for free. In a panic, now deceased keyboardist and Stones road manager Ian Stewart contacted Rich Man Ella Ampeg Hollywood liaison, desperately begging for amplifiers of the tour, there was now only a few weeks.

Ella man, knowing a good thing when he saw it, loaded up all the prototypes and some old SVT 4x12 cabs in his van and headed down to the Warner Brothers lot, where the Stones were practicing in unused sound. Keith, Mick Taylor and Bill Wyman put SVT prototypes and continued to beat them at a level that reduces the hip not the flaming piles of goo. The stones may have sympathy for the devil, but they gave no such kindness to the SVT prototypes. Man Ella began to notice that the prototypes have been approaches to the merger under relentless denigration of Keith. Man Ella, everything he did in rehearsal "was just bigger and bigger and more fragile, with two or three heads per person. I will see amps, and when I saw one was about explode, I would just pass the head. "

Since this prototype SVT heads are the only ones there, the production was still a way off, it was decided that the good Smokey Room Mandella would tour with the Stones as a personal technical Ampeg. While the Stones rocked the audience and grooved, and the Angels of Hell has kicked the crap out of all living inside length of the pool cue, Rich Mandella is back behind the line to make sure everything was in order. If you want to taste the chaos, check out Gimme Shelter Stones' own 1969 documentary on the world tour. But if you want to hear the first explosion SVT all their value, soon down to the right and pick up the Get Yer Ya Ya's out, the best live albums ever made.

In a world of 300-watt amp, the prospect is difficult to obtain

Since then, the SVT was the bass rock bass players all dream, whether known or unknown. Ampeg SVT has changed the concept for a wide range of sounds, but fortunately, they are still SVT-VR, which is virtually identical to those of the stones used to make bottles of Jack Daniel on top. (The SVT-Classic is also available and is very similar to the original.)

Former editor Scott Bass Player Malandrone SVT put into perspective this way: "The SVT has made the bass sound than the Marshall Super Lead did for the electric guitar that gives the team an identity." I could say that we can improve.

Peavey Bass Amp History

World of bass instruments has its share of legends, not only in the end the players, often the producers who were celebrating their endorsers. Mississippi native Hartley Peavey is such an iconic name.

History

In 1965, manufactured Hartley Peavey PA systems and guitar amplifiers and cabinets in his shop before responding to demand bassists brand specific Peavey bass amplifiers in the 1970s.

Meaning

For the self-production of all internal and external components associated with their bass amp lines, Peavey has eliminated the middleman, saving their customers money without sacrificing quality and performance.

First bass

First product lines were introduced and the Centurion Mark III series. Amp quickly gained a loyal following client. Later, matching built in cabinets and combos as well.

Benefits

The bears enjoy both the tones available from tubes of raw Peavey heads and cutting tones of solid-state amplifiers. VB-700 heads and three are gold standard Peavey.

Perspective

As more and more manufacturers move their production lines abroad as well, Hartley Peavey, the U.S. maintains his shop, which raised the local economy, while bass related products.

Fender Amplifier History

In 1946, Clarence Leo Fender began building guitar amps in Fullerton, California. His first destination for players, and Spenta a lot of time, in concert with the musicians to improve their designs. He originally trained as an electrical engineer, and was never so much a musician, so this consultation has been its main guide development over the years without getting models. As we shall see, often leads to very significant improvements in the design of an amplifier, although sometimes leads him down the wrong path. All Leon models were based on research developed and released to the public domain, 30s Western Electric, and used vacuum tubes for amplification. More detailed description of the individual amplifiers are available atthe Fender Amp Field Guide.

After a prototype of a few amps, it began building its first big series of amplifiers in 1948. They were known as tweed amps because they were covered in the same type of cloth used for luggage at the time. These amps varied in output of 3 watts (champion or champion) of 75 watts (high power Tweed Twin). They were characterized by a warm clean sound, with harmonic complexity of the input signal, and a gradual emergence of a hot fudge distorted. It featured the first use of Fender Tremolo with a filling in the amplifier. This is often mislabeled by Fender vibrato.

Therefore, a cleaner interior height (volume before distortion) to please his players, the Fender changed color and light brown in 1960. These were known for their harsh on the surface of the plastic (DuPont Tolex) white, pink or dark brown. There is often a lot of overlap in a series of amplifiers. You can see brown tweed amps with the internal amp and the Tweed amps of some innovations went brown. These were the high power amplifiers, as colleagues tweed. In general, they are cleaner clean sound is a bit 'less harmonic complexity and the same overdrive tone. In order to get more volume, Fender also started to use the JBL speakers at this stage, much more powerful and stronger than the original Jensens. JBLs were generally available in most of the higher powered models a custom order. Fender also began using Oxford, Utah and CTS speakers interchangeably Jensens, usually a speaker who could provide would be economically used.

Jensens and Oxfords remained the most common in this period, by far, however. Jensen offers the more traditional Fender sound and is preferred by most collectors. Amps Brown / Blond also introduced an effect sometimes known as "harmonic vibrato", a system of vibrato phase which took two and a half 12AX7/7025 pipes, but had a gentle vortex has been imitated but not improved 40 years . Much of this character tremolo because it separates the low and high frequencies and the use of the tremolo effect on their own and out of phase.

In 1963 Fender wanted more power, less distortion and reduce costs, then changed to amp what is commonly known as "blackface" cosmetic. These amplifiers have a Tolex cover black, silver grille cloth, black control panel and forward looking. By reducing the amount of midrange frequencies in the signal, Fender was able to increase the volume without increasing distortion. This resulted in the Fender "spark" a classic Fender clean tone light most beloved players favorite country. The era blackface also made extensive use of reverb, which uses springs to provide a feeling of space (or in case of surf music, a pause ECHO washing) for sound. The tremolo was changed to a simple circuit based on an optical coupler and requiring only a single pipe. The amplifiers are always excited spectrum of 4 to 85 watts, but the difference in the crowd was even greater because of the tone improved cleaning of 85 W Twin. One of these, with JBL speakers, absolutely deafening, even in a large room.

In 1965, Fender was tired and sick, he sold the company to CBS Fender Musical. As a large conglomerate, the management seemed more interested in money than in making the best money can buy amplifiers, so in the next 18 years, the quality of Fender amplifiers gradually went downhill. Silverface These are the wings, and can vary from almost identical to the Blackface (before 69) completely different (in the late 70). Some of these "innovations" that were found are zippers volume up, volume controls, general processors Ultra-clean start again, increasing the power output of 100 watts to 135 watts and 135 Twins Bassman The Super Six Reverb Reverb and Quad, and changes in other circuits to reduce distortion. The cosmetics of these amplifiers are similar to amplifiers face painted black, but the control panel to the front is silver with blue block letters instead of black with white lettering manuscript.

Early 80's, under the supervision of Paul Rivera et al was the recovery of R & D-Fender, in the short term, highly desirable amps. They range from two-channel Super Champ, putting out 18W a channel through the exchange version of the twin. Recently made Fender amplifiers with discrete components were connected by a wiring point, the method was later replaced with the use of printed circuit boards.

After this short period of time, began to build a Fender amps like the names of earlier versions, but not much in common. They are not very interested in vintage amp lovers, although it is definitely still people playing with skirts 80s model, in particular the "red knob Twin" in 1987. Early 90's Fender amps was republished some of his most beloved, Double, Deluxe Reverb, Super Reverb, were mostly brighter sound than the original, but have had some success. Recently I came from the hand wired amps Fender Custom Shop Tweed and better meet the Blackface amps for their sound and technical information.

History of Fender

Over four decades, Fender electric guitars and amplifiers have been a big influence on how the world composes, plays and listens to music. While the guitarists in the first half of this century was for the people or acoustic blues guitar, in 1930, jazz musicians experimented with the strengthening of the traditional hollow-body guitars so you can play with other instruments in the same volume level. One problem was that the speakers and microphones tend to provide feedback, when he was at a high level.

In the 1940s, was a California inventor named Leo Fender made some custom guitars and amplifiers in his radio shop. Eventually, Leo would amplifiers of the world's first instrument with built-in tone controls. More important, however, was Leo's vision of a better guitar. With his knowledge of existing technologies, he knew he could improve the modern amplified hollow-body instruments. . . and improve them, it does. In 1951, he introduced the Broadcaster, the prototype solid body guitar that would become the legendary Telecaster ®. The Tele ®, as he affectionately called, was the first solid body electric guitar ever Spanish-style to go into commercial production. Soon to follow the Tele were the revolutionary Precision Bass ® guitar in 1951, and the Stratocaster ® in 1954.

In 1965, poor health, Leo Fender sold the company corporate giant CBS. Over the next two decades, Fender Musical Instruments had some great growth. But as time passed, the lack of commitment by CBS and a real understanding of music and musicians were in sight.

In 1981, CBS recruited a new management team to "reinvent" Fender. William Schultz was soon named president, and was supported by partners and Kurt William Mendello Hemrich. He had developed a business plan for five years based on the idea of ​​increasing Fender's presence in the market to significantly improve the quality and make a firm commitment to research and development. This partnership continued until CBS decided to get rid of the media not to broadcast.

In 1985, a group of employees and investors led by William Schultz purchased the company from CBS. This sale brings Fender in the hands of a small group of dedicated people who have dedicated their musical lives to create the world's best guitars and amplifiers.

The team had to start from scratch - there were no buildings or machines included in the transaction. They only had the name, patents, and the remaining games in stock. Backed by a base of loyal employees, dealers and suppliers - some of whom had been with the company since Leo Fender began making guitars and amplifiers - Bill Schultz and his colleagues have begun to rebuild an American icon.

Fender initially imported its guitars offshore manufacturers who had proven their ability to produce affordable, viable instruments. But the attempt to better manage the quality soon led to the establishment of the domestic Fender tip of Corona, California. Eventually, Fender would build a second modern manufacturing facility in Ensenada, Baja California, Mexico, where we aim to build quality instruments and offer them a more budget-oriented price.

In 1987, Fender acquired Sunn, a line of amplifiers whose past endorsees stories have included the Who, Jimi Hendrix and the Rolling Stones. This kickoff Fender reinstatement in the company by making accessible Sunn amplifier has manufacturing facilities in Lake Oswego, Oregon. But he was still an early phase of the "new" Fender, so Schultz put the Sunn line of amplifiers on the shelf until the name Fender has been restored as an amplifier world leader.

Fender has always recognized the importance of an open door policy for the professional musician. When artists started asking their guitars features found on an individual basis. These relationships have led to the formalization of the operation as Fender in 1987. Today, the world's greatest guitarists, working with the renowned Fender Custom Shop in Corona, California, to create their dream instruments. Recently, Fender has added amplifiers to the list of facts about the instruments that can occur in the Custom Shop in Corona.

In 1991, Fender moved its headquarters from Corona to Scottsdale, Arizona. From there, management, marketing, advertising, sales and export of equipment to monitor the operations of Fender's satellite facilities around the world, which now includes locations in the United States (California, Tennessee, New York and Rhode Island), as well as international operations in: Ensenada, Baja California, Mexico London, Dusseldorf, Germany Suresnes, France Brussels Japan Korea and China.

It 'brought to Scottsdale at Fender amp and Pro Audio Research & Development. When the guitar amps, Fender set the standard for voice and low price. R & D has pioneered many technological advances in the development of amplifiers that the needs of the musician's performance. At the end of 1992, Amp Custom Shop was opened in Scottsdale, Ariz., to offer custom and limited editions of professional amplifiers for working musicians.

Recognizing that country music and acoustic guitars are more and more popularity, Fender has deepened its line of acoustic guitar. In addition to working with respected manufacturers in Japan, Korea and China to produce quality acoustic guitars, the company became the exclusive distributor in North America in the prestigious Manuel Rodriguez line of nylon guitar strings made to the Hand in Spain by the Rodriguez family since 1905. These additions have put the company in an excellent position for growth in the market for acoustic guitar.

In a loft in New York in 1952, the Guild Guitar Company is still known for its quality equipment and exceptional value. Faced with internal financial problems in early 1990, the Guild leadership had decided to sell the company. Fender bought Guild in 1995, marking a return to the properties of a group of people dedicated to producing the best value in American made acoustic and electric guitars. Today, corporations are still in production of its historic, 60,000 square feet, Westerly, Rhode Island.

1998 will prove to be a banner year for Fender and its subsidiaries. With Fender amplifiers once again enjoying a market presence strong, it was time to dust off the Sunn line of amplifiers. R & D had spent the last three years studying the original Sunn products and developing prototypes that faithfully reproduces the sound Sunn brand. The timing was right, and Fender introduced the new Sunn line amplifiers for an immediate recognition from the industry.

And the Guild of 1998 brought the expansion of its Custom Shop in Nashville, Tennessee. Opened in 1996, the new Guild Custom Shop offers 8,000 square meters climate near downtown Nashville that allows a controlled amount of extra space for production and storage of raw materials.

Guild had also introduced DeArmond guitars in 1998. Fender had purchased the DeArmond brand of musical instrument pickups in 1997 and by the company with Guild to produce an alternative line of high quality guitars and low affordable prices that are modeled after drawings of the Guild. The guitars were built and assembled in Korea before being sent back to the Crown, which are equipped with US-made DeArmond pickups. After a successful test runs in European and Asian markets, DeArmond guitars were introduced to U.S. consumers Canada and instant acclaim as an exceptional value.

However, the biggest event for Fender in 1998 was the inauguration of its new state of the art manufacturing facility in Corona generation. The 177,000 meters square will be built in an area of ​​nineteen acres, with over half of this space for future growth, and is the culmination of a vision that seemed at times almost impossible. The full line of Fender guitars made in America are built at the factory in Corona, which is capable of more than 350 guitars a day. In addition, the Corona facility utilizes the innovative UVOXÔ, which combines ultraviolet light, a special treatment process, and a system for carbon absorption bed to help ensure that the air emitted by the plant is 95% clean. The new plant is not only a state of the art manufacturing facilities generation, but a tribute to how a group of dedicated people, when they put their mind to it, you can create the "impossible."

Fender Custom Shop also shares space for the new plant. Over fifty artisans now work in the Custom Shop offers the best in the world of tools tailored for professional musicians and a full range of hand-drawn plays the classic Fender. Crown and the end of the operation, the shop custom amplifier was reported in Scottsdale and folded Custom Shop guitar.

Simultaneously, a new 70 000 square meters more done in the Ensenada facility. The extra space was added to bring the amplifier output, apart from those produced in the Custom Shop, in a single installation.

Over the past decade, Fender has increased dramatically in sales and stature. The company manufactures and distributes virtually everything a guitarist needs to perform, from guitar strings and accessories, professional audio products including amplifiers and mixers. Today, under the direction of Schultz, Fender Musical Instruments Corporation, a global leader in the manufacture and distribution of electric guitars and amps.

Fender became the world leader by defining the sounds we hear that meet the needs of musicians, creating quality products and back them up with service and stability. As Fender Musical Instruments Corporation created in the 1990s and in the 21 century, will retain its number one status Fender leadership through a winning combination of business acumen and a love for music.